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Before & After

Beautiful Spaces — Sold on San Antonio

By Katherine Owen, Photos by Laurey W. Glenn, Styling by Buffy Hargett Miller

When interior designer Nicola McLaughlin and her husband, Michael, went hunting for their first home together in San Antonio, they wanted an old house—a project they could really “dig into,” she says. Then they stumbled upon this sweet 1949 gem—a 2,900-square-foot house that had a great layout and was surrounded by oak trees, all within blocks of both of their parents’ homes. Call it kismet. She says the structure mostly just needed a face-lift, not a full gut renovation. “It had good bones, and the exterior was charming,” she recalls. But the interior was dark, dated, and severely lacking in personality. So they dug in. Out went the clunky moldings, bleak color schemes, and oversize kitchen island. McLaughlin sought to fill their first house with pretty fabrics and airy design ideas, mixing high-end pieces with low-priced finds throughout to keep her budget in check.

Living Room
Photo: Laurey W. Glenn; Styling: Buffy Hargett Miller

Living Room

Design To Display

Situated right off the entry, the living room is where the designer wanted to create the most refined space. She had always admired the look of costly de Gournay wallpaper, so she framed panels of the Badminton pattern instead, which let her use it as a statement without committing to the price or permanence. Plus, the framed panels can be moved, if needed.

Living Room before makeover
Dining Room
Photo: Laurey W. Glenn; Styling: Buffy Hargett Miller

Dining Room

Follow the Lines

“I didn’t want an intensely formal dining room, because I felt like it wouldn’t flow with the rest of the house,” McLaughlin explains. “So I aimed to combine old and new in here.” Fancy pieces such as the antique sideboard and gilded light fixture (Ruhlmann Large Chandelier; circalighting.com) blend well with more practical picks like the simple table (made by her carpenter), thanks to the uniformity of the lines. “Older furnishings that have clean and basic designs blend a lot easier with new pieces,” she says.

Entry
Photo: Laurey W. Glenn; Styling: Buffy Hargett Miller
A single palette runs throughout the home: Sherman-Williams Marshmellow (SW7001) on the walls and Farrow & Ball's Wimborne White (No. 239) on the trim.

Entry

Establish the Tone

McLaughlin was inspired by the beautiful arches of mission-style homes she saw in her new neighborhood. To bring San Antonio flair inside, she removed the molding from the square doorways in the living room, entry, dining room, and kitchen and then reshaped them into clean archways. “Since the rooms are small, they don’t need 8 to 10 inches of heavy molding around the cased openings,” she says. “Now, the doorways all feel very fluid.” The neutral palette also allows the space to transition seamlessly to the entryway’s adjoining rooms.

Entry
Before: Boxed InThe entry was supposed to be welcoming, but felt cluttered with 3 major openings and lots of molding.
Picture of the new den space
Photo: Laurey W. Glenn; Styling: Buffy Hargett Miller
Woven poufs from CB2 plump up the cozy, textural scheme.

Study

Give Yourself a Real Den

The couple wanted a space to watch TV without having to install electronics in the bedroom or formal living room, so they co-opted the bedroom closest to the front door. A few key touches, such as the slightly darker wall color (Sherwin Williams‘ Repose Gray, SW 7015) and Serena & Lily shag rug, transformed the extra bedroom into a hideaway.

Picture of kitchen before renovation
Before: DownsizingWith lots of bulky storage and an oversized island, McLaughlin new she had some major work to do in the kitchen.
Picture of the new kitchen
Photo: Laurey W. Glenn; Styling: Buffy Hargett Miller

Kitchen

Rethink the Workspace

The designer created a better-functioning and tidier kitchen by moving the cooktop to the side wall, which expanded the surface area of the island. All the counters were replaced with Carrara marble. This material can seem formal, but McLaughlin says, “We kept our design fresh by finishing it off with a straight edge.”

Picture of the new stove hood
Photo: Laurey W. Glenn; Styling: Buffy Hargett Miller

Throw In A Curve

To contrast with the gridlike effect of the tiled walls, McLaughlin dreamed up this vent hood, which her contractor made from plywood covered with layers of plaster mesh and plaster. “Initially, I wanted to do a more triangular, straighter version,” she says, “but it would have seemed too dramatic. The curve of this one softens the room and looks so nice next to the arch of the doorway.”

Photo: Laurey W. Glenn; Styling: Buffy Hargett Miller

Stick to the Basics

McLaughlin covered the walls in subway tile that’s a win in every way. “It’s cost-effective and clean,” she notes. “And, depending on how it’s done, it can also be timeless. You could see this style in a 200-year-old restaurant in Paris.” To add dimension, she used tiles that have uneven surfaces and look handmade. “It’s not just a monotonous wall of white. The tiles each shine in a different way,” she says.

Guest Bedroom
Photo: Laurey W. Glenn; Styling: Buffy Hargett Miller
A scalloped hanging shade from Circa Lighting adds polish and plays up the Matouk shams.

Guest Bedroom

Upgrade Selectively

“Incorporating a few nice pieces ties the space together and makes it feel special,” she says. The Serena & Lily white lacquered nightstands were a splurge to “bump up the room,” but she framed two inexpensive prints purchased while studying abroad to hang over the bed.

Photo: Laurey W. Glenn; Styling: Buffy Hargett Miller

Guest Bath

Spend Where You’ll See It

In this shared bath, McLaughlin covered the floor and shower in economical penny tile (Retro Rounds; daltile.com), choosing to have more fun with the light fixture and wallpaper. She says, “The penny tile is interesting, but it’s not a main feature of the room.” The designer splashed out on a punchy blue pattern (The Vase Wallpaper in Pale Blue; clarencehouse.com) and swapped out the original light for an eye-catching bubble chandelier from Pelle.

Photo: Laurey W. Glenn; Styling: Buffy Hargett Miller

Master Bedroom

Amplify the Sun

To make room for the large headboard, the designer applied drywall over a set of windows. But she kept the bedroom feeling bright and comfortable by opting for white linen curtains and selecting light, airy furnishings, such as a pair of chairs with open backs that let the sun shine through. “Without natural light, this space wouldn’t look nearly as inviting,” McLaughlin says.